‘The house where Eugene Field was not born’
02/11/2017
A plaque on the Eugene Field House says “the children’s poet” — famous for “Little Boy Blue,” “Wynken, Blynken and Nod,” and other works — was born there. The Field House Museum, on its website, says “Eugene Field was born in St. Louis at 634 South Broadway, on September 2, 1850.” And some contemporary news stories also say Field was born there.
But he wasn’t.
A former St. Louis Post-Dispatch reporter named Robertus Love took the blame for the confusion — a century ago. In letter to the newspaper, published on Feb. 12, 1917, Love wrote: “About 15 years ago I suggested a story on Eugene Field.… My suggestion was approved and I was assigned to get the story. I interviewed several persons who had known Field more or less intimately when he lived here as a young newspaper man. Also I interviewed his guardian, an elderly gentleman now dead…. In reply to a specific query as to where Eugene Field was born, his guardian told me it was the house on South Broadway.” Read more of this post
“And the problem we face now is how to 
Crime (and tragedy) words: Small, tight-knit community. Rattled. Hearts go out to. Make sure a tragedy like this never happens again. Close-knit community. Devastating impact. Loved ones. When something like this happens. No obvious connection to international terrorism. On the ground. Visibly shaken. Thoughts and prayers. Shots rang out. Closure. Grief process. Active scene. On edge. Haunting. Nightmare. Ultimate sacrifice. The community is reeling. Asking the public to come forward. Families left waiting for answers. Escalated from there. Tragic news. Raise awareness. Their desperate time of need. Breathing a collective sigh of relief. Keeping a close eye on. Bad apples.
“The highest form of reporting is the ability to understand and fit together certain isolated and apparently unrelated trends before they become news. The public knows what news is after it becomes news. Only the accomplished and skilled reporter or editor knows what it is before it becomes news.” — A Handbook of Scripps Howard (1948)
“Questions of the most momentous importance come up daily, and exact grave consideration from all. The experience of most persons will confirm the assertion that the manner in which the daily newspapers deal with these questions is most defective and unsatisfactory. Their false prophecies, their abandonment of all attempt to sift evidence — often unavoidable, it is true — their constant sacrifice of the truth to the demand for startling effects, the factious, flippant and reckless way in which many of them deal with the most serious topics, constantly remind their more intelligent readers that they are prepared to suit the requirements of the greatest number, but not by any means the best qualified, of those whose judgment goes to make up that force in human affairs called public opinion.” — “Prospectus for a Weekly Journal,” June 1863, from 
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It may be small-brained and shortsighted, but the armadillo has managed to take over most of the Americas. 
“Dedicated to the famous cartoonist Jean Knott.”
“One of the chief requisites of a successful author-exposer is that he shall take himself and everything he touches most seriously. An appreciation of the humorous would be likely to mar what would otherwise be masterpieces of exposure literature. … He takes the world seriously, he demands to be himself taken seriously, else he may brand you as one of ‘The System’ or a sympathizer of that aggregation of corruptors.” — The Exposure Era in the Magazines, St. Louis Post-Dispatch, April 8, 1906.
In December 1915, The Spectator, a weekly that covered the nation’s insurance industry, looked at the large increase in mortality caused by homicide in the previous decade. It focused on 30 leading cities. Many of its findings are familiar, including a condemnation of “the unrestrained sale of firearms.”
